“Why are you unhappy?
Because 99.9 percent of everything you think,
and of everything you do, is for yourself
—and there isn’t one.”
- Wei Wu Wei (1895–1986)
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| Marie Bortolotto Art |
The Edge
by Robert Creely, American Poet (1926 - 2005)
Long over whatever edge,
backward a false distance,
here and now, sentiment —
to begin again, forfeit
in whatever sense an end,
to give up thought of it —
hanging on to the weather’s edge,
hope, a sufficiency, thinking
of love’s accident, this
long way come with no purpose,
face again, changing,
these hands, feet, beyond me,
coming home, an intersection,
crossing of one and many,
having all, having nothing —
Feeling thought, heart, head
generalities, all abstract —
no place for me or mine —
I take the world and lose it,
miss it, misplace it,
put it back or try to, can’t
find it, fool it, even feel it.
The snow from a high sky,
grey, floats down to me softly.
This must be the edge
of being before the thought of it
blurs it, can only try to recall it.
This place is a dream
only a sleeper considers it real.
Then death comes like dawn,
and you wake up laughing
at what you thought was your grief.
But there's a difference with this dream.
Everything's cruel and unconscious
done in the illusion of the present world,
all that does not fade away at the death-waking.
It stays.
and it must be interpreted.
-- Rumi (1207 - 1273)
(translated by Coleman Barks - The Essential Rumi)
Marie Bortolotto Art
From "A Handful of Poem-Images"
by Marie Bortolotto
A Lost Key
We dance in a line of pigeons; and crows,
noisily, flapping wings over a vacant parking lot.
A tall, stark thistle; motionless, against the backdrop
of far-off mountains.
At a yellow-tiled temple, voices of enchantment lull us
deeper into sun-soaked dew, where, finally; we can rest.
On a bench, there, for us to see; a lost key.
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| Marie Bortolotto Art |
1/ Flower
Dreams are severed fruit
Auburn pears have fallen in the field
Parsley blooms on the plate
The leghorn at times seems to have six fingers
I crack the egg and the moon comes out
2/ It Is Snowing
Upstairs from us, a grand ball!
Devious angels dance in disorder, and out of their steps fall shards of deathly white snow.
Death is among the holly leaves. Crawling quietly in the attic.
Gnawing
at my finger. Anxiously. And then at midnight—it falls at the
storefront of the glass shop, exposing its stark white back.
Old love and time are buried, and the earth devours them.
--by Chika Sagawa (1911 - 1936) Japanese Modernist Poet
(from The Collected Poems of Chika Sagawa
translated by Sawako Nakayasu)
Chika Sagawa says:
I believe poetry is the study of language. Unlike spoken language, it is
a language of the heart, not visible from the surface. It is the
filling of the air with words selected out of deep contemplation. Not a
gathering of the meanings of words spoken to be spoken, but an attempt
to say something, or to reflect something. Very sparse and most strict,
it is a skillfulness right on the brink of burning out like a flame.
- "When Passing Between Trees"
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Marie Bortolotto Art |
Today I am inspired by the Paracelsus quote in James Hillman's book "The Thought of The Heart And The Soul of The World" (Spring Publications 1992):
Speech is not of the tongue, but of the heart.
The tongue is merely the instrument with which one speaks.
He who is dumb is dumb in his heart, not in his tongue...
As you speak, so is your heart.
Paracelsus (1493-1541)
I'll be honest, although I like this quote I have trouble with the word "dumb" -- it's just not the best word for our modern age. And what about the pronoun "he?" Are only "he's" dumb? I would like to replace dumb with the word "mindless" instead. And "he" with "those."
So my revision will read like this... I hope Paracelsus doesn't mind!:
Speech is not of the tongue, but of the heart.
The tongue is merely the instrument with which one speaks.
Those who are mindless are mindless in their hearts, not in their tongues...
As one speaks, so is one's heart.
Paracelsus (1493-1541)
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| Marie Bortolotto Art 2026 |
Haiku Sketches ©
by Marie Bortolotto
300 One-Line Zen-Inspired Poems
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| Haiku Sketches © by Marie Bortolotto |
Artist Marie Bortolotto takes us on a mindful stroll through her portfolio of haiku sketches as she follows in the footsteps of renowned Japanese poet, Masaoka Shiki (1867-1902). Shiki is best known for his efforts to modernize haiku poetry, especially his idea of shasei or “sketch from life” where he encouraged poets to look at the world, as an artist does with a sketchbook, observing and expressing what they see in everyday life with fresh eyes. Each haiku sketch in this collection offers a window into meditation, inspiring us to open the eyes of the heart and find poetry in the ordinary.
A few excerpts from Haiku Sketches © :
resting on a vintage garden chair dead leaves
autumn’s decline even the bindweed sheds its glory
atop melted snow a red scarf and a carrot
slowly a beetle crawls across the sidewalk
Paperback, approx. 110 pages
Marie Bortolotto is a visual artist and poet. In early years she travelled extensively, both as an airline employee and a humble backpacker. She has a Bachelor of Fine Arts Degree and worked for many years in complementary healthcare. Currently she lives in Vancouver, Canada.
The Meaning of Existence (2002)
by Les Murray
Everything except language
knows the meaning of existence.
Trees, planets, rivers, time
know nothing else. They express it
moment by moment as the universe.
Even this fool of a body
lives it in part, and would
have full dignity within it
but for the ignorant freedom
of my talking mind.